Tuesday, 25 June 2019

The Sea Refuses No River by Bethany Rivers @bethanyrivers77 BLOG TOUR @fly_press #TheSeaRefusesNoRiver

The journey of grief is a strange one
and one not often talked about in our everyday reality of this society,
but I know what it's like to dive deep,
down to the bottom of the wreck,
feel the ribs of the wreck,
after losing a parent so young in life

In this collection, the sea refuses no river, there is an acceptance of the pain and an acceptance of the healing moments; the healing journeys. To quote Adrienne Rich: I came to explore the wreck', and in this collection, Bethany discovers how, 'The words are purposes. The words are maps.'

The Sea Refuses No River by Bethany Rivers was published by Fly on the Wall Poetry on 21 June 2019.  I'm delighted to share a sample poem from the collection here today as part of the #RandomThingsTours Blog Tour

Your Map
(After Louise Gluck)

Destinations are unclear and million-fold.  I have to find ‘end’
on the map.  It’s usually another beginning.  A solitary ‘A’
of not knowing, trying to find its own Z, when I hear my father’s voice:
my death is not your map, you have to find your own key. 

I’m heading for the centre, I think – or is that where I begin? 
The centre doesn’t feel real at all.  You can’t see the centre
of an unclear destination.  Through a door of star magnolia flowers,
there is life.  I hear pigeons coo, full throated.  They come with meaning. 
They know me well.  They’re here to guide.  They know I’m still stuck at A.

Out on the winding roads of Wales, there are no memories of you. 
That photo you took back in ’62, before I was born, that fountain
which knew you by depth and by blueness, future voices hidden deep.
You passed your camera onto me.  You passed on your love of blue.

I call ‘Dad’.  I call louder.  In my dreams I’m always calling you. 
New empty houses, derelict streets, me flying above you, & you occasionally
call back to me through dreams.  I don’t always know what you mean. 

I stare down alleyways, hallways, seaways of azure.
Remember, you say, beneath the desert there is treasure: there is water.

Bethany Rivers' debut pamphlet, Off the wall, was published by Indigo Dreams Publishing. 
She is the author of ‘Fountain of Creativity: ways to nourish your writing' from Victorina Press.
Her biggest passions in life are writing and enabling others to write.
She has been widely published in magazines, anthologies and online in the UK and USA, including: Envoi, Cinnamon Press, Bare Fiction, Fair Acre Press, Verve Poetry Press, Yorkshire Valley Press, Silver Birch Press, The Lampeter Review, The Lake, Blithe Spirit, High Window Literary Journal, Laldy Scottish Literary Journal, Writers' Cafe, Riggwelter, I am not a silent poet, Picaroon Poetry, Three Drops from a Cauldron, The Ofi Press.

She has an M.A. in Creative Writing from Cardiff University and has taught creative writing for over 13 years.
She also mentors writers individually, through the writing of their novels, short stories, children's fiction, memoirs, and poetry: www.writingyourvoice.org.uk 
Bethany Rivers is also editor of the online poetry magazine, As Above So Below, which publishes poetry on the theme of spirituality and transcendence.

Twitter @bethanyrivers77

Monday, 24 June 2019

A Modern Family by Helga Flatland @HelgaFlatland BLOG TOUR @OrendaBooks #AModernFamily Translated by @rosie_hedger

When Liv, Ellen and Håkon, along with their partners and children, arrive in Rome to celebrate their father’s seventieth birthday, a quiet earthquake occurs: their parents have decided to divorce.

Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves, and forces them to reconstruct the shared narrative of their childhood and family history.

A bittersweet novel of regret, relationships and rare psychological insights, A Modern Family encourages us to look at the people closest to us a little more carefully, and ultimately reveals that it’s never too late for change…

A Modern Family by Helga Flatland was published in paperback by Orenda Books on 13 June 2019. I read and reviewed this book some time ago and loved it. I've been shouting about it ever since. I'm delighted to re-share my thoughts today as part of the Blog Tour

My Review

Helga Flatland has created a seemingly ordinary Norwegian family; with ageing parents, three siblings and associated partners and their own children. They are on their way to Rome, for a family holiday to celebrate Sverre's 70th birthday.
It is in Rome that the three siblings; Liv, Ellen and Hakon learn that their parents' marriage is over and that they intend to divorce. I've often thought that it must be so much harder for adult children to deal with a parental divorce; it must raise so many questions, and doubts about your family.

A Modern Family is narrated in three points of view; the majority of the story is told by Liv and Ellen, with some input from Hakon toward the end. These three adults were brought up together, by the same two parents, yet their own narratives are so very different. Dealing with the fall out from their parents' announcement has made each of them think about their own relationships; with each other, with their parents and with their own extended family and friends.
Liv, Ellen and Hakon are not particularly likeable, and it's fascinating how they each concentrate on the effect of the divorce on them, hardly giving thought to their parents and how unhappy they may have been.
All of the siblings have their own memories from childhood and as they each reconstruct their experiences of childhood, it's incredibly telling that their perception of themselves, and of the rest of their family relationships are so dramatically different. 

I have felt like an intruder into this family. I have felt as though they are my family, I have felt as though I am spying. Helga Flatland's slow, quiet prose is absolutely perfectly fitting for the situation. This is not an action-packed thrill of a read; it is a extremely insightful and incredibly empathic realisation of the psychology of family. 

Flatland writes with an elegance that one just savours with the greatest of delight. There's also subtle humour and a shrewd and insightful examination of the psychology of family, and of loss.

A Modern Family is not just good, it is masterful. It is fresh and original, with a depth of vision that is breath taking. Expertly translated by Rosie Hedger, I have no doubt that this novel will feature in my best of the year list.

Praise for A Modern Family

The most beautiful, elegant writing I’ve read in a long time. If you love Anne Tyler, you will ADORE this’ Joanna Cannon

‘Absolutely loved its quiet, insightful generosity’ Claire King

‘It is the most satisfying book that I’ve read in a long time, and the most clear-eyed, honest, yet sympathetic examination of relationships that I have ever read. The subtlety with which she portrays the inconsistencies between how the characters see each other versus how they see themselves is masterful’ Sara Taylor

‘There is a hint of Ingmar Bergman in this portrayal of a completely normal family, it delves deep and wrenches your heart’ Adresseavisen

‘Completely gripping in its intimacy, it's a really deep delve into relationships but also a stark dissection of the illusions we rely on about who we are. Another hit from Orenda Books’ Live Many Lives

‘A beautifully written and highly thought-provoking literary novel exploring the psychology and practicalities of marriage, commitment and individuality … There’s so much bubbling under the surface here, revealing not only how much the characters DO know about each other, but also how much they DON’T, plus all of the secrets they’ve been trying to hide. A Modern Family is honest and brutal – family life laid bare, down to its deepest foundations’ Off-the-Shelf Books

Helga Flatland ( born 16 September 1984) is a Norwegian novelist and children’s writer. 

She was born in Notodden and grew up in Flatdal. 

She made her literary debut in 2010 with the novel Bli hvis du kan. Reis hvis du må, for which she was awarded the Tarjei Vesaas’ debutantpris . 

The novel was the first in a trilogy, and was followed by Alle vil hjem. Ingen vil tilbake (2012) and Det finnes ingen helhet (2013). 
In 2015 she published the novel Vingebelastning, as well as the children’s book Eline får besøk. 

In 2015 Flatland was awarded the Amalie Skram Prize and Mads Wiel Nygaard’s Endowment.