My Life in Books is an occasional feature on Random Things Through My Letterbox
I've asked authors and people in publishing to share with us a list of the books that are important to them and have made a lasting impression on their life
I'm delighted to welcome author Nuala Ellwood to Random Things today. Nuala's debut thriller, My Sister's Bones was published in hardback by Penguin in February this year. I read and reviewed My Sister's Bones here on Random Things in October last year.
Here's just a snippet of what I said about it:
"My Sister's Bones is exceptionally well written. It is brimming with suspense and unease, there are dark dark uneasy themes but the elegant and clever writing lift the story. Compelling and haunting, I'm certain that My Sister's Bones is going to be one of 2017's big sellers."
Nuala Ellwood moved to London in her twenties to pursue a career as a singer-songwriter, but ended up writing novels instead.
She went on to do an MA in Creative Writing at York and was awarded funding from the Arts Council for the research and development of My Sister's Bones, her debut thriller.
Her father and sister are both journalists, and their experiences inspired the events of this novel.
Follow her on Twitter @NualaWrites
She went on to do an MA in Creative Writing at York and was awarded funding from the Arts Council for the research and development of My Sister's Bones, her debut thriller.
Her father and sister are both journalists, and their experiences inspired the events of this novel.
Follow her on Twitter @NualaWrites
My Life In Books ~ Nuala Ellwood
Long before Harry Potter and
Hogwarts there was Mildred Hubble struggling to fit in at Miss Cackle’s Academy
for Witches. I first discovered this series of books when I was seven years old
and felt that I’d found in Mildred a true kindred spirit. Like her, I struggled
to fit in at school, particularly when it came to PE and Maths. But though
Mildred messed up royally in potion making class and broomstick formation she
always managed to come good in the end, though her methods were anything but
conventional. I was just the same and to this day I’m still a little bit
Mildred Hubble in my approach to life.
I loved this book so much
when I was little. It had everything I could wish for in a story: an ancient
haunted house surrounded by water, a demon tree and three seventeenth century
child ghosts who befriend the main character, ten year old Tolly, when he
arrives at Green Knowe to stay with his grandmother. I also fell madly in love
with Alexander, one of the young ghosts. At the age of eight, a seventeenth
century flute-playing phantom was pretty much my idea of perfection!
Pat Barker’s novels have been
a huge inspiration to me over the years. I first read Regeneration when I was
thirteen. At that age I didn't really have any idea about war, let alone the
horrors of trauma and shell shock. Yet as I read Pat Barker's spare, haunting
prose something sparked inside me: an anger, a questioning. I remember reading
The Ghost Road in one sitting with tears streaming down my face as Barker
described the final moments of Hallet, a young soldier. Before he dies he
attempts, several times, to say something, but his injuries make speech almost
impossible. Finally, the psychiatrist, Rivers, manages to work out that he is
saying 'it's not worth it.' As Hallet takes his final breath the other patients
in the ward repeat his words over and over like a mantra. That scene is one of
the most powerful reminders of the futility of war and I return to it again and
again when I want to remind myself just how good writing can be.
I read Dubliners when I was seventeen and had
never been so drawn into a world, its sounds, smells and voices. It was like
shining a spotlight onto a stage and seeing a life unfold in the space of a few
moments before the light faded again. Coming from an Irish background I could
recognize the inherent Irish melancholy that seeps through each scene. It made
me want to write stories, tell stories and explore those hidden worlds beyond
the light.
There are some writers that
you appreciate, admire, even love, and then there are the ones that become part
of your soul and for me, that writer is Virginia Woolf. From the moment I read
Mrs Dalloway as a teenager I felt that I’d been re-introduced to an old friend,
someone that I had known forever. At each stage of my life there has been a
Woolf novel to guide my way. As a writer
I love her use of language and her boldness in creating a whole new literary
form. I love the beauty of her sentences and the way she uses words like
scattered petals, throwing them up into the air and seeing where they will
land. But it is in her diaries that the real Virginia Woolf shines through. It
is here that we see all her doubts and insecurities as well as her triumphs,
the vital human being behind the cool Bloomsbury façade. Whenever I’m in need
of guidance or reassurance I open the diary up at random and the answers I’m
seeking, whether emotionally or professionally, will be there.
This novel had such an impact
on me when I read it and it has inspired my writing in so many ways. The title
is taken from a Henry James line - ‘never
say you know the last word about any human heart’ - and that quote pretty much sums up what novel
writing is all about for me. This book is a beautiful evocation of an ordinary
life played out against the pivotal moments of the twentieth century. Written
in diary form, the protagonist, Logan Mountstuart, starts the novel as an
idealistic 15 year old, determined to make his mark and become a literary star,
and ends it as a frail, jaded yet content eighty-five year old man. Along the
way, he meets some of the key figures of the twentieth century including Ernest
Hemingway, Virginia Woolf and Ian Fleming, men and women who not only shape
their times but Logan’s destiny too. But it is the smaller incidents in Logan’s
life, the ordinary times, falling in love, becoming a father, dealing with
death and loss and ageing, that deliver the most impact. When I finished this
book I wanted to go back and start all over again, rather like Logan felt when
he reached the end of his remarkable life.
This collection of short
stories, written by the neuroscientist David Eagleman, imagines richly
different afterlives in order to answer the question of what happens to us after
we die. In one afterlife, God is no bigger than a microbe and completely
unaware of your existence, in another you are recreated based on your credit
card records. But it was the story entitled ‘Prism’ that really affected me. In
this afterlife you live alongside yourself at different ages. So the vibrant seventeen
year old you, full of dreams and ambition will encounter the jaded, exhausted
forty year old you juggling job, kids and house and just about managing; your careworn
eighty year old self, all wrinkles and creaky joints will bump into the smooth
skinned, energetic eleven year old you while swimming in a lake. And your
twenty-eight year old self may break up with a lover in a restaurant and then
encounter the thirty-five year old you sitting at the next table wistfully
thinking of what could have been. But it was the last line, spoken by an
invisible committee of gods, that has stayed with me ever since and made me
look at my life in a completely different way: ‘You were all these ages, they
concede, and you were none.’
Nuala Ellwood ~ March 2017
Loved this interview! My Sisters Bones was one of my most favourite reads of 2016!!
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