"I had read enough mystery stories to know that girls who went out to meet strangers at night never came to a good end..."
Stirling, 1877. Lillias Gilfillan, a recently orphaned girl of sixteen, falls in love and elopes with a man who sees her as wealthy and naïve: ‘a little boat without its oars’. In a sea of rising debt and deception, Lillias must learn quickly, or drown.
Glasgow, 1894. Clementina knows little mercy living in a home for ‘wayward girls’. With the ‘Jingling Devil’ always lurking in the shadows and a child growing inside her, can she outrun him and save her best friend in the process?
Glasgow, 1919. Mabel is one of the first policewomen in Glasgow, on a mission to find a murderer. In doing so, she finds a web of corruption and now the ‘Jingling Devil’ wants her dead.
‘The Unpicking’ spans three generations of ‘hysterical women’ who take on systemic corruption and injustice, despite all odds.
Moving on another twenty-five years and Mabel is one of the first female police officers in the city. Scorned by her colleagues, expected to do little more than a secretarial role, she is determined to track down a murderer. However, she finds out far more than expected and once again, the Jingling Devil makes an appearance.
Three wonderfully created female characters that readers will instantly connect with. Their daily battles against social injustices and the utter corruption of the wealthy are difficult to bear at times, emotionally challenging but always perfectly and sensitively created.
Her first novel, a Private Eye spoof called Go To Helena Handbasket, won the Lefty Award for most humorous crime fiction novel and her second novel, Old Dogs, was shortlisted for both the Lefty and Last Laugh Awards.
Her short stories have been published in various anthologies.
In her day job she works as an adult literacy tutor for marginalised and vulnerable women, facilitates creative writing workshops and has a PhD in creative writing around women’s history and gender-based violence.
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